Suicide and the lives of artists are two of the toughest subjects for cinema to grapple with, and ‘Control’ squares up bravely to both. The film’s real energy and excitement are in the live scenes, which are unfussy, extended and electric. There are plenty of shots of Curtis walking down the street or smoking a fag or looking out of windows. Watching the film, one is left with a sense of Ian Curtis as the subject for an intense photographic study as much as a figure ripe for probing drama. The photographer Anton Corbijn has now added ‘Control’ to the throng, and his contribution – a black and white study of the life and death of Ian Curtis – is more sombre and grounded and less playful than the comic spins we’ve come to expect. From ‘24 Hour Party People’ to the recent coverage of Wilson’s death to a new documentary on the box only the other week, this tale of bands, big egos and bad business sense has an appeal way beyond its roots.
The American musician is one of the most iconic of all time, and the results of his performance will either cement him as a Hollywood A-lister or on the contrary, break him.There’s already been so much said, written and broadcast about Joy Division and the Factory Records story that you could be forgiven for not having the patience to wade through yet another chapter in the story of Tony Wilson and the rest of the gobby cast that strode the Manchester stage of the ’70s and ’80s. That’s two terrific acting credits, but really, it’s the role of Elvis Presley which has everybody curious. Again, Jarmusch is known for working with the best. He’s sure to make quite the impression, especially considering he stars in another prestigious director’s film this year too Jim Jarmusch’s The Dead Don’t Die. The popular filmmaker is renowned for working with the best actors and revitalising and reshaping careers. He’s scored a role in Quentin Tarantino’s highly anticipated Once Upon a Time in Hollywood, alongside the likes of Brad Pitt, Margot Robbie and Leonardo DiCaprio. Although, if you look at his recent credits, there’s no denying that he’s set to make a serious impact on cinema lovers this year. However, he’s yet to be regarded as a film actor, in a purer sense.
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Achieving fame at a young age has its perks, but also it’s glaring setbacks.įollowing on from his teen years, Butler appeared in a string of TV shows and TV movies, most notably playing Chase in the hit superhero series Arrow. It appears Austin Butler has been working similarly hard to establish himself as a serious actor, rather than a former teen star. SEE ALSO: Who plays Scar in 2019’s The Lion King? The acclaimed Best Actor nominee! However, he’s worked incredibly hard over the years to excel in his craft, and now, he’s impressing audiences and critics in films like the Ted Bundy biopic Extremely Wicked, Shockingly Evil and Vile.
Some are doomed to hear “hey, you’re the kid from…” for the rest of their days, but there are also a number of success stories.įor years, performers like Zac Efron were stigmatised for their early fame – in this case, his breakout role on High School Musical.
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Of course, after appearing in teen-sensation series like these, it’s really hard to break free from the associations they bring. The star appeared in such shows as Hannah Montana, Ned’s Declassified School Survival Guide, iCarly and more when he was he was younger. Remember James Garratt from Zoey 101? Well, if you do, you’ll be happy to learn just how far he’s come with his work. (AUSTRALIA OUT) Photo of Elvis PRESLEY posed, on phone Zoey 101 and beyond SEE ALSO: Who is Nadiya Hussain? From Bake Off to takeoff! If we’re going to continue this streak, then why not tackle the King of Rock and Roll himself, Elvis Presley. For example, the two recent examples just offered – Elton John and Freddie Mercury – are undeniably important in the sphere of popular music. Everybody has their own unique taste but in the realm of legends, their impact and status are often indisputable. However, in wake of the success of such efforts as Bohemian Rhapsody and Rocketman, we’re set to see a further surge in music icon explorations. There are so many musical icons we’d love to see receive the Hollywood treatment. We’ve seen some interesting ones over the new century, from Anton Corbin’s deeply personal dive into the life of Joy Division’s Ian Curtis in 2007’s Control, James Mangold’s portrait of the legendary Johnny Cash in 2005’s Walk the Line, all the way to Jonas Åkerlund’s disturbingly different black metal biopic Lords of Chaos in 2018.
Music biopics appear to be the popular cinematic trend at the moment.
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